Saturday, 5 April 2014

H BITS SERIE

Worked with some more H Bits Serie .

Mix media: different kind of papers, cardboard, charcoal, tape and stamens.

All DIN A-4

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H BIT 5

H BIT6

H BIT 7

H BIT 8

H BIT 14

H BIT 15

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Friday, 4 April 2014

NEW DEFENCES * WRAPPED

I am lately developing new paintings where fenced houses are like floating on fragile columms wrapped on a mad sky and plants trying to reach them.

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SEGURITAS

acrylic, charcoal, permanent pen on paper

stretch framed

50X50X3cms

ainamsnape©

DETAILS

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COMMUNITY

acrylic, charcoal, permanent pen on paper

stretch framed

60x73x2cms

ainamsnape©

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COME TO DEFENCE

acrylic, and permanent pen on paper

stretch framed

50X50X3cms

ainamsnape©

DETAILS

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F BITS

Here some more F Bits I developed recently.

F BITS

COLLAGE ON DIN A-4

F BIT A

F BIT B

F BIT C

F BIT D

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Monday, 31 March 2014

FLORAL BITS

I developed a serie of floral bits today.

Mix media: acrylic, photography and tape.

Photos taken by ainamsnape on vegetal paper.

DIN A-4

Hope you enjoy.

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T BITS

Developing a new serie of Bits

T BITS

Din -A4

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Sunday, 30 March 2014

SAATCHI COLLECTION Originals for $500 and Under

SAATCHI has included two of my paintings on

Originals for $500 and Under Collection

BUY ART

NEW FENCES

Started a new serie of paintings on home fences.

All of them 30x30x3cms

You can adquire them here

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TRAPPED

30X30X3CMS

Acrylic on paper stretch framed

ENGAGED

30X30X3CMS

Acrylic on paper stretch framed

COVERED

30X30X3CMS

Acrylic on paper stretch framed

CAGED

30X30X3CMS

Acrylic, permanent pen and pencil colour on paper stretch framed

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Saturday, 22 March 2014

STUDIO

PAINTING PROCESS

Painting Process is the most interesting thing in Art.
Here some pics on new paintings developing.

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BITS H

Two new Bits H

Charcoal, Paper and Cable cooper

All size DIN-A4

BITS H 10

BITS H 11

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ainamsnape

Deconstructing Women

ainamsnape artwork reflects the understandings of women identity constructed during history. How women has been sociocultural constructed through the years. Deconstructing women canon. Gender and female identity has been constructed in a particular cultural frame. ainamsnape tents to deconstruct female identity representation to know and understand ourselves through human culture.

ainamsnape paintings show women as a geometrical structure, opened, closed, cropped.

Fenced walls. Intimity. A search of female identity. A construction of feminity. An imaginary construction. Women represented as the other. Women has been represented differentiated to men. Taken just as sex organs, objectified by men. ainamsnape paintings constructs a confront representation of women identity according to social culture that has got the power to construct a false feminity. Women are not an expression of biological sex but a construction icon. Gender. Not as imitation of real but as culture representation. Not universal. Not immutable. Not real. Is a discursive process. Where culture meaning of women can be describe.

ainamsnape paintings reconfigure women bodies to fit a mold. Alters women composition. Women body as building. A social construction of deconstructing women’s biological body. Not as an object of desire. Culture behavior are here deconstructed by the idea of feminity. And constructing walls and fences to dominant notion of women. Showing the female character from popular culture. Construction a gendered subject.

ainamsnape builds a representation of feminity. Buildings as a corporeal body. The gender body part. Not as a sexual part but as constructing genre. Deconstruct conventional stereotype codes of female allure that women is imagined.

Feminist social constructionist gender identity behind ainamsnape artwork. An assamblage of female representation. The idea of a gender culture to deconstruct dominant gender ideologies of women. And contrust “other” imaginary women constructions. As they are not any essential feminities.