a i n a m s n a p e: jigsaw

Showing posts with label jigsaw. Show all posts

Showing posts with label jigsaw. Show all posts

Saturday, 19 April 2014

FOREIGN

Here another painting, developing the idea of home structures framed and fenced.

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FOREIGN

Acrylic, charcoal and pen on paper

stretched framed

65x54cms

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painting details

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Friday, 18 April 2014

Sea Bits

A new serie of Bits

SEA BITS

din-a5

SEA BIT 1

SEA BIT 1

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Tuesday, 8 April 2014

L BITS

And still going on with some Bits while my paintings are drying.

Here a new serie called L Bits.

Mix media

Din A-5

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L BIT 1

L BIT 2

L BIT 3

L BIT 4

L BIT 5

L BIT 6

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Friday, 4 April 2014

NEW DEFENCES * WRAPPED

I am lately developing new paintings where fenced houses are like floating on fragile columms wrapped on a mad sky and plants trying to reach them.

WRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPED

SEGURITAS

acrylic, charcoal, permanent pen on paper

stretch framed

50X50X3cms

ainamsnape©

DETAILS

WRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPED

COMMUNITY

acrylic, charcoal, permanent pen on paper

stretch framed

60x73x2cms

ainamsnape©

WRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPED

COME TO DEFENCE

acrylic, and permanent pen on paper

stretch framed

50X50X3cms

ainamsnape©

DETAILS

WRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPEDWRAPPED

Monday, 31 March 2014

T BITS

Developing a new serie of Bits

T BITS

Din -A4

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Saturday, 22 March 2014

PAINTING PROCESS

Painting Process is the most interesting thing in Art.
Here some pics on new paintings developing.

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Thursday, 30 January 2014

BIT ON BIT 3

Third collage Bit on Bit.

The process of this work is really fascinating.

A deconstructed painting/collage cutted in 5cms square size.
Reconstructing again a different way of its construction, revealing a new composition.

BIT ON BIT 3

Acrylic, papers, pencil, pen, charcoal and tape

42x30cms

ainamsnape©

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ainamsnape

Deconstructing Women

ainamsnape artwork reflects the understandings of women identity constructed during history. How women has been sociocultural constructed through the years. Deconstructing women canon. Gender and female identity has been constructed in a particular cultural frame. ainamsnape tents to deconstruct female identity representation to know and understand ourselves through human culture.

ainamsnape paintings show women as a geometrical structure, opened, closed, cropped.

Fenced walls. Intimity. A search of female identity. A construction of feminity. An imaginary construction. Women represented as the other. Women has been represented differentiated to men. Taken just as sex organs, objectified by men. ainamsnape paintings constructs a confront representation of women identity according to social culture that has got the power to construct a false feminity. Women are not an expression of biological sex but a construction icon. Gender. Not as imitation of real but as culture representation. Not universal. Not immutable. Not real. Is a discursive process. Where culture meaning of women can be describe.

ainamsnape paintings reconfigure women bodies to fit a mold. Alters women composition. Women body as building. A social construction of deconstructing women’s biological body. Not as an object of desire. Culture behavior are here deconstructed by the idea of feminity. And constructing walls and fences to dominant notion of women. Showing the female character from popular culture. Construction a gendered subject.

ainamsnape builds a representation of feminity. Buildings as a corporeal body. The gender body part. Not as a sexual part but as constructing genre. Deconstruct conventional stereotype codes of female allure that women is imagined.

Feminist social constructionist gender identity behind ainamsnape artwork. An assamblage of female representation. The idea of a gender culture to deconstruct dominant gender ideologies of women. And contrust “other” imaginary women constructions. As they are not any essential feminities.