a i n a m s n a p e: town

Showing posts with label town. Show all posts

Showing posts with label town. Show all posts

Sunday, 12 April 2015

Limit Structures

LiMiT sTruCtuReS

din a4

paper

ainamsnape©

www.ainamsnape.com

8·6·10·8·10

10·10·8·15

15·8·12·15

15·12·8·12

L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·L·S·

Sunday, 7 December 2014

CASTLES

CASTLES

3D paintings

acrylic on paper

ainamsnape©

ainamsnapeatgmail

CASTLE I

CASTLE II

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CASTLE PASSAGE

CASTLE PASSAGE

acrylic on paper

stretch framed

46x46x2cms

ainamsnape©

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Friday, 7 March 2014

FRONTIERS

So, I have been working recently on these two paintings Frontiers.

Painted on black paper.

FRONTIER 1

Acrylic, colour pencil and permanent pen on black paper stretch framed.

50x50x4cms

March 2014

ainamsnape©

frontier 1 detail

frontier 1 detail

frontier 1 detail

FRONTIER2

Acrylic, pencil and permanent pen on black paper stretch framed.

50x50x4cms

March 2014

ainamsnape©

frontier 2 detail

frontier 2 detail

frontier 2 detail

frontier 2 detail

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Monday, 3 February 2014

TOWN BLOCK SERIE

New paintings of a serie based on town structures where these collapse on a barrier.

TOWN BLOCK 1

Acrylic, pencil, charcoal on paper

stretched framed

30x30cms

ainamsnape©

TOWN BLOCK 1 detail

TOWN BLOCK 2

Acrylic, pencil, charcoal on paper

stretched framed

30x30cms

ainamsnape©

TOWN BLOCK 2 detail

TOWN BLOCK 3

Acrylic, pencil, charcoal on paper

stretched framed

30x30cms

ainamsnape©

TOWN BLOCK 3 detail

TOWN BLOCK 4

Acrylic, pencil, charcoal on paper

stretched framed

30x30cms

ainamsnape©

TOWN BLOCK 4 detail

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ainamsnape

Deconstructing Women

ainamsnape artwork reflects the understandings of women identity constructed during history. How women has been sociocultural constructed through the years. Deconstructing women canon. Gender and female identity has been constructed in a particular cultural frame. ainamsnape tents to deconstruct female identity representation to know and understand ourselves through human culture.

ainamsnape paintings show women as a geometrical structure, opened, closed, cropped.

Fenced walls. Intimity. A search of female identity. A construction of feminity. An imaginary construction. Women represented as the other. Women has been represented differentiated to men. Taken just as sex organs, objectified by men. ainamsnape paintings constructs a confront representation of women identity according to social culture that has got the power to construct a false feminity. Women are not an expression of biological sex but a construction icon. Gender. Not as imitation of real but as culture representation. Not universal. Not immutable. Not real. Is a discursive process. Where culture meaning of women can be describe.

ainamsnape paintings reconfigure women bodies to fit a mold. Alters women composition. Women body as building. A social construction of deconstructing women’s biological body. Not as an object of desire. Culture behavior are here deconstructed by the idea of feminity. And constructing walls and fences to dominant notion of women. Showing the female character from popular culture. Construction a gendered subject.

ainamsnape builds a representation of feminity. Buildings as a corporeal body. The gender body part. Not as a sexual part but as constructing genre. Deconstruct conventional stereotype codes of female allure that women is imagined.

Feminist social constructionist gender identity behind ainamsnape artwork. An assamblage of female representation. The idea of a gender culture to deconstruct dominant gender ideologies of women. And contrust “other” imaginary women constructions. As they are not any essential feminities.